Guest post by Blythe Gifford
|
We’ve all
heard the advice: You must visit
the places you write about.
Theoretically, I agree with that, but from a practical point of view, I’m
not in the position to fly abroad every time I start a book. And since I write history, a trip to the
place would still not be a trip to the time. I would still have to create a world I’ve
never seen.
How do you
do that with an eye to authenticity? I
have a few tips.
First, choose your
setting mindfully. A familiar location
will make it easier to gather information.
An obscure one may make it difficult to find enough detail to bring it to
life.
The flip
side of using a well known location is that it’s tough to fudge facts. Any mistake will surely be found by an expert
reader.
Be aware
of the connotation of the setting you select and decide whether to play
to it or against it. Some locations, New
Orleans, for example, are so strong that using them is almost like adding a
character to your story.
When I say
“setting,” I mean time as well as place.
For example, I have a manuscript set in Philadelphia. Originally, the date was 1872, but I changed
it to 1876. Why? Because the Centennial Exposition was in
Philadelphia in 1876. Even though my
book did not revolve around the exposition, it meant I could find everything
from train schedules to photographs to first person accounts of the city in that
year.
Next,
ground yourself and your characters.
Gather a detailed map, a calendar, and a guidebook or two. Even if you create an imaginary town, know
which direction the sun rises and sets.
Know the time and date and day of each scene. This will help keep you, and your characters,
in a real world, one in which Sunday comes every week, the seasons follow their
course, and you can trace how long it will take to walk from one end of town to
the other.
Again, as
historical writers, this is harder than it sounds. A current map has roads and buildings that
did not exist when your story is set.
Even rivers have changed course over time. Search used book fairs for older guidebooks
and travel books. Often, they include
maps, detailed descriptions, photos, and first person narratives.
Third, a
picture is worth a thousand words.
Along with my calendar, guidebook, and map, I always buy a good picture
book or two. One will be of the physical
landscape. That way, I am not dependent
on another writer’s words. I can look at
the picture as my hero or heroine would and let them describe the scene.
Authentic
images, photographs, engravings, or paintings, will give you detail no guidebook
or official history will include. In THE
KNAVE AND THE MAIDEN, I had a scene set in the Cathedral at Exeter. When the Cathedral’s official website gave me
a virtual tour, I discovered that the Cathedral was under construction at the
time of my story. With that fact, I
created a vivid, unique setting that supported the emotional theme of the
scene.
The
Internet is a gold mine for images. With
a search engine, you can find everything from professional photography of
historic buildings in all seasons to engravings of street scenes. In addition, many vacationers now post photos
and travelogs. Not only are those a
source of pictures, they can provide first person descriptions of how hot it can
be on the Thames in August.
Finally,
the devil is in the details. Instead of
descriptions of panoramic views, select one small sensory detail, preferably a
sound or a scent. (There’s nothing wrong
with a visual detail, but using the other senses brings it closer to the
character.) Then, make sure it has
emotional resonance for your character.
No matter how good your research, it exists only to make your characters
move easily in their world. It should be
inserted only when the character recognizes and reacts to it for a reason
directly related to the storyline.
With these
techniques, you can build a world that’s real to your characters and to your
readers, even without getting on an airplane---or in a time machine.
***
Blythe Gifford’s next release, RETURN OF THE BORDER WARRIOR, is a Harlequin Historicals November 2012 release. This is the first book in her Brunson Clan Trilogy.
|
To learn more about
Blythe and her upcoming releases, visit her web site at http://www.blythegifford.com
